A patchbay is where audio, video or data signals are routed from one device to another. The standard patchbay is 19 inches wide and generally mounts in an equipment-rack with four screws that hold the patchbay to the equipment-rack by rack-ears on each side of the patchbay chassis.
Audio Patchbay Example
The rear portion of an audio patchbay accepts the inputs and outputs of all devices sending and receiving audio signals in the recording studio. The connections on the rear of the patchbay chassis can be of many types. All pro audio connectors are supported by one model of patchbay or another.
Once all the studio’s audio devices are connected to the rear of the patchbay, the front of the patchbay is ready to make the audio connections between devices. This is done by “patching” a short patch cable from one hole called a point to another point on the front of the patchbay or to a point on a different patchbay.
The connecting of pro audio gear via the patchbay is much, much faster than walking around to the back of each device and running an audio cable to where it is needed. This keeps the flow of the recording session high.
If you have ever stopped during a recording session to hook something up and took more than a few moments to do it, you know that when you return to the mixing console chair the band is gone. The drummer went for a burger. The singer is on the phone with his girlfriend. The keyboard player is playing MAG on the PS3 in the lobby and the lead guitar player’s location is unknown.
The audio patchbay eliminates this unnecessary down-time completely by letting you move the flow of the audio paths quickly to find just the right sound without ever leaving your chair!
TT Patchbays use tiny telephone jacks which refers to the size of the jacks in the patchbay. Sometimes called bantam, this size audio jack gives you twice as many patch points for the same space as standard quarter inch jack.
DB-25 / D-Sub
DB-25 is a type of connector that is very common in Pro Audio gear today. This type connector is also called D-Sub. These 25 pin connectors are used to quickly connect your studio gear together.
Custom patchbays and custom wiring are easy to order here. Whatever your needs are, Mr. Patchbay completes your order quickly at reasonable prices.
Patchbays that are Punch-Down type means NO SOLDERING is needed.
Order any ADC Punch Down Patchbay below and get a FREE ADC PUNCH TOOL!
The punch tool not only strips the wire for you, it cuts the excess wire off as well. It's a snap! Punch-Down patchbays takes much less time than soldering patchbays.
Elco / E3
Elco connectors come in many sizes. The term E3 refers to a 3-pin ELCO connector. Quick and easy to connect and disconnect. Gold-pins crimp to your wire and are installed in the E3 hood.
1/4" TRS Patchbays Quarter inch refers to the diameter of the jacks used in these patchbays. TRS is a balanced audio path using the Tip, Ring and Sleeve to transfer audio.
XLR Patchbays have 3-pin connectors that are used in balanced microphone lines and line-level signals. Recording studios use XLR panels between the live room and the control room.
Can I run my digital audio AES/EBU signal through my analog patchbay?
You sure can. Remember your AES/EBU signal can travel a total length of 300 feet. According to ADC , if you run your digital signal though your analog patchbay, you just used 100 of your three-hundred feet.
Can I run my digital audio and analog audio through my analog patchbay?
You sure can. However, you will need to leave around four patchbay channels unused between the digital signals and the analog signals to prevent cross-talk from the digital signals that would well... bother you.
Can I run my phantom-powered microphone signal through my patchbay?
You sure can. However, if you use a large format console with one-button that turns on the phantom power for all channels you will need to strap the grounds together on the patchbay channels you want to phantom-power. When patching microphones through a patchbay that are being supplied phantom power from a mixing board, patching a mic can damage the console or mic if the grounds are not strapped on the Patchbay! As the patch cable plug is inserted into the Patchbay, the tip of the plug will momentarily connect with the ring contact in the socket, while the ring of the plug touches the sleeve contact. This short-circuits the phantom power supply by bridging the +48V line straight to the ground and, although most phantom power supplies can handle it, the resulting voltage spike can cause great damage to the input preamp(s) of your audio desk or high-end mic Pre's. The pre-amp input stage can be damaged right off the bat (particularly with older types of electronically balanced inputs) but, it is more normal to find a gradual degradation in performance as various circuit components deteriorate. Strapping the grounds on your patchbay prevents this from happening to your gear. Plus strapping the grounds is easy to do( just ask me and I can do this for you!). On solder-type patchbays just add a copper wire across all ground points to make them one common ground. Strapping grounds on a punch-down style patchbay is even easier. Just punch wire(s) over your existing wire(s) to connect all grounds together.
If you work with stand alone mic pre's, each with it's own phantom power, then after you make the patch, then turn your phantom.
Another EASY way to strap the grounds together on the channels you want to phantom-power is shown below. Use the screws that hold the jacks in place to run your ground wire from channel to channel.
These days another great method for making your patchbay labels is to get a Label Maker. You can pick up a good Label Maker for under $40.00 and there are some offered for under $20.00. Many Label Makers now use thermal printing and with the many different color combos offered you can really make some great labels for your patchbay. If you are working with a single-space 96 point patchbay you will want to get a Label Maker that prints very thin labels.
First remove your stock label holders and set them aside. Now go to you local Fedex Kinko's or any good Office Supply in your area and get 1 sheet of 10-pound Glossy-White that is 17" long. This will cost you $.58 Then return home. Now mark or print the channels how you want to match your patchbay.
Then return to Kinko's and cut your printed paper into labels using the Kinko's free paper-cutter.
You will find Fedex Kinko's has a "self-serve" laminating machine. A sheet of plastic and the use of the machine will cost you $4.00.
Now take one of the long sheets of plastic and open it up and place your newly cut labels on the plastic. Take a moment to make sure your labels are lying without bends or curves. Now close the plastic.
Enclose your sheet of plastic within one of the thick white paper covers found with the laminating supplies next to the Kinko's "self-serve" laminating machine. Now feed your white sheet through the laminating machine.
Almost done! Now return to the free paper cutter and cut your new labels from the sheet containing the labels. Last but not least, return home and glue or using double-sided tape attach you labels to your new patchbay. Cool eh?